REISSUE: “Swept Away” – Glenn Rivera ReStructure Mix – Diana Ross Diana Ross was focused on keeping our eyes, mind and ears moving in many adventurous moves with productions and material. In 1984 the album “Swept Away” features a pop, funk, and soul offering by various producers including the late Bernard Edwards of Chic. The title track utilizes the bass and beat club sound produced by the man who brought it into the light, Mr. Arthur Baker. The track was co-written and co-produced by Daryl Hall of Hall & Oates. The song transforms Ms. Ross in a fantasy of exciting love and eventually the painful demise of it. This one was one of the top played tracks of the time for me thanks to a 12” single mixed by Arthur Baker and edited by The Latin Rascals. Diana sounds soft and subtle with her sexy delivery and eventually takes the song into the dangerous waters of this love. I have taken the 12” long and instrumental version into the ReStructure Mix arena with a bit more use of the beats, synths and open feel of the adventurous sound. The awesome drum beats are hard to ignore here and along with Diana portraying the femme fatale in her own style. A tribute to Mr. Baker here and also a dedication for the talent and work her has given us in dance music.
Thursday, August 6, 2020
REISSUE: “Swept Away” – Glenn Rivera ReStructure Mix – Diana Ross
REISSUE: “Swept Away” – Glenn Rivera ReStructure Mix – Diana Ross Diana Ross was focused on keeping our eyes, mind and ears moving in many adventurous moves with productions and material. In 1984 the album “Swept Away” features a pop, funk, and soul offering by various producers including the late Bernard Edwards of Chic. The title track utilizes the bass and beat club sound produced by the man who brought it into the light, Mr. Arthur Baker. The track was co-written and co-produced by Daryl Hall of Hall & Oates. The song transforms Ms. Ross in a fantasy of exciting love and eventually the painful demise of it. This one was one of the top played tracks of the time for me thanks to a 12” single mixed by Arthur Baker and edited by The Latin Rascals. Diana sounds soft and subtle with her sexy delivery and eventually takes the song into the dangerous waters of this love. I have taken the 12” long and instrumental version into the ReStructure Mix arena with a bit more use of the beats, synths and open feel of the adventurous sound. The awesome drum beats are hard to ignore here and along with Diana portraying the femme fatale in her own style. A tribute to Mr. Baker here and also a dedication for the talent and work her has given us in dance music.
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