Monday, July 11, 2016
ReStructure Mix Update (7/11/16) “Walking On Sunshine” – Glenn Rivera ReStructure Mix – Rocker’s Revenge
ReStructure Mix Update (7/11/16) “Walking On Sunshine” – Glenn Rivera ReStructure Mix – Rocker’s Revenge
Rocker’s Revenge is Donnie Calvin, Dwight Hawkes and Tina B – and another landmark piece from producer, Arthur Baker. The electro-beats masterpiece which shifted dance floors into another phase of 80s dance music. The 1978 track “Walking On Sunshine” by Eddy Grant is one of those underground dance records which give a unique edge to a disco and alternative programming. This cover, “Walking On Sunshine ‘82” is a marking point for the electronic genre – giving it the sub-title electro beats. The project features John “Jellybean” Benitez working on the finale mix along with Baker.
I have taken the 12” long version and the ‘rockin’’ version to recreate a new ReStructure Mix in honor of this single which opened my eyes and ears to the New York street beat sound exploding in the early 80s. A surprise from 1969 is planted within this new mix to give a strange mashup for this memorizing electronic play. It is truly one of the 80s dance floor hits to feel good about.
Friday, July 8, 2016
ReStructure Mix Update (7/8/16) “He’s A Saint, He’s A Sinner” – Glenn Rivera ReStructure Mix – Miquel Brown
ReStructure Mix Update (7/8/16) “He’s A Saint, He’s A Sinner” – Glenn Rivera ReStructure Mix – Miquel Brown
Miquel Brown is a singer who took on disco music in 1979 with her album “Symphony Of Love” – produced by Alan Hawkshaw. The title track became a favorite of the Euro-disco lovers with the lyrical sound of sensual femme disco accompaniment. Later in 1983 Miquel scored a huge hit along with producers Ian Levine and Fiachra Trench with the single, “So Many Men, So Little Time” – another statement that the disco era had not quite finished its business. In a new form called ‘high energy’. The album released the same year featured another dance single titled, “He’s A Saint, He’s A Sinner” – another light and playful portrayal of the hedonism of hardcore club dance music.
I have taken the 12” vocal and instrumental re-mix to create a new play for Miquel’s operatic-like delivery and the rolling pianos and crashing disco beats. This new ReStructure Mix takes pieces of the breaks and pianos and mixes them up like martini. It is a version that salutes the early 80s club sound and its influence on the path disco music took unexpectedly.
Thursday, July 7, 2016
“Dragster” by Amazing Bingo Band – Disco Video Mix by Glenn Rivera
“Dragster” by Amazing Bingo Band – Disco Video Mix by Glenn Rivera
The Amazing Bingo Band is Silvano Silvi and Alan Taylor – their one disco project is an Italo-disco track from 1979 titled “Dragster”. It was a familiar sound which always reminded me of Peter Jacques Band with the electronic fill and heavy percussion. It was the move from traditional big production disco to the stripped down high energy appeal of the early 80s.
I have taken the 12” of “Dragster” and created a Disco Video Mix taking scenes from the 1964 film “The Lively Set” starring James Darren, Pamela Tiffin and Doug McClure. The story of a young mechanic who designs the first jet powered auto and uses it in the Tri-State Endurance Run. It is a dragsters dream and ends with not only a trophy, but the ‘girl’ also, played Pamela Tiffin.
The film was directed by Jack Arnold
Featuring scenes from “The Lively Set” – RENT THE DVD!
Disco Video Mix by Glenn Rivera
Produced by Ken Emmons
Friday, July 1, 2016
ReStructure Mix Update (7/1/16) “Gluttony” – Glenn Rivera ReStructure Mix – Rinder & Lewis
ReStructure Mix Update (7/1/16) “Gluttony” – Glenn Rivera ReStructure Mix – Rinder & Lewis
Rinder and Lewis are the pioneers of the underground disco movement of the mid-70s. Their music ranges from a simple synthesizer and keyboard arrangement to a full disco orchestration with lush strings. Much of their work is hailed as disco gems. “Seven Deadly Sins” is their first solo/duo album from 1977 and is an instrumental trip through the disco-fied themes. Each belonging to an individual ‘sin’ and its audio mood. An interesting concept and arranged quite well for one of their early experimental pieces. “Gluttony” is one of the whirling bass sequencer tracks that play out as a moody and hypnotic number with slashes of sounds and instruments. The bass sequencer is reminiscent of rolling disco sound later becoming one of the most alluring of technical productions.
I have taken the album version of “Gluttony” and created a ReStructure Mix which takes the key parts of the movement and rearranged it for a new lure. New percussion and effects are added to give more punch to the deep edge. One of the mystical disco numbers from W. Michael Lewis and Laurin Rinder and many disco audiophiles know it well from their own temptation of this classic project.
Thursday, June 30, 2016
ReStructure Mix Update (6/30/16) “First True Love Affair” – Glenn Rivera ReStructure Mix – Jimmy Ross
ReStructure Mix Update (6/30/16) “First True Love Affair” – Glenn Rivera ReStructure Mix – Jimmy Ross
Jimmy Ross (James Albert Ross) is a singer from Trinidad who became one of the voices behind the Italo-disco scene in the early 80s. “First True Love Affair” became a garage hit thanks to a fantastic remix from resident DJ Larry Levan. The track is from the album produced by Luciano Ninzatti, Stefano Pulga and Matteo Bonsanto – alias Kano. The heavy synthesizer outlines work well as a funk groove in the pieces relayed by Italian projects during this period. It was an obvious influence from bands like Change and Chic. A heavy guitar presence brings the outline a breath of fresh air.
I have taken the 12” version of “First True Love Affair” and have given it a ReStructure Mix environment where the verses and chorus parts end up between new breaks and rhythm loop segments. The song is quite beautiful in its disco-funk flavor and with Jimmy’s unique vocal is a nice experience. The arrangement was directed at a more experimental chance and is offered here as an homage.
Wednesday, June 29, 2016
ReStructure Mix Update (6/29/16) “Que Rico Vacilon” – Glenn Rivera ReStructure Mix – Love Childs Afro Cuban Blues Band
ReStructure Mix Update (6/29/16) “Que Rico Vacilon” – Glenn Rivera ReStructure Mix – Love Childs Afro Cuban Blues Band
Love Childs Afro Cuban Blues Band is a disco project from disco producer Michael Zager who gave many contributions to dance floors from the mid-70s throughout the 80s. Their second album “Span Disco” from 1977 was a venture into the underground sound of disco at the time and features many Cuban and Spanish traditional tracks with a disco production. “Que Rico Vacilon” is a Cuban song which translates loosely into “a great way to waste time” – meaning a festival of some kind or celebration. It was recorded by Xavier Cugat in 1955 among many artists and orchestras. The excitement of a disco version is played out well here with Zager’s use of horn sections and disco percussion. The vocal ensemble includes Alvin Fields and Cissy Houston.
I have taken the album version of “Que Rico Vacilon” and recreated the celebration with more of an intro and some new use for that classic drum and percussion break. The arrangement is extended and gives those drums some additional placement. The original is a great example of how the disco break was being implemented early in tracks to suit the dance floors demand for that time to unwind and let loose.
Tuesday, June 28, 2016
ReStructure Mix Update (6/28/16) “Burn This Disco Out” – Glenn Rivera ReStructure Mix – Michael Jackson
ReStructure Mix Update (6/28/16) “Burn This Disco Out” – Glenn Rivera ReStructure Mix – Michael Jackson
Michael Jackson’s project “Off The Wall” from 1979 is one of the unforgettable moments in music history. The production by Quincy Jones created a sound for Jackson which placed him in another incredible stage for a career that was endless, even today. The track “Burn This Disco Out” from the album is one of the pieces which define Michael’s control over a groove and the emphasis he plays to the “boogie”. A nice smooth arrangement by Rod Temperton makes this one again a piece of Jackson’s legacy that will always be looked at with tribute.
I have taken the album version which times out at a little over three minutes and worked a ReStructure Mix to lay out another place for the horns and rhythm to play on. A new intro gives more fade in to the energy and excitement. Some new breaks and effects have been pieced in to create a finale mood that should make Jackson fans happier to attempt that “moon walk” number.
Sunday, June 26, 2016
ReStructure Mix Update (6/26/16) “These Memories” – Glenn Rivera ReStructure Mix – Oh Romeo
ReStructure Mix Update (6/26/16) “These Memories” – Glenn Rivera ReStructure Mix – Oh Romeo
Oh Romeo is a high energy project from producer, Bobby Orlando that paints the sound of the 80s dance floor with a touch of emotion and drama. “These Memories” became a dance floor hit when it was released in 1983. The emotional tug with all of the elements of high energy – the percussion, the heavy synths and driving message. One of my dance floor favorites and another reason why dance music survived throughout the 80s.
I have taken the original Bobcat Records 12” to recreate a new ReStructure Mix for a return to the dance floors most contagious periods. The rolling synthesizers are still intact with more play. The anthem gets a new feeling with a sample of a ‘memory’ from the 70s.
Friday, June 24, 2016
ReStructure Mix Update (6/24/16) “Give Me Action” – Glenn Rivera ReStructure Mix – Queen Samantha
ReStructure Mix Update (6/24/16) “Give Me Action” – Glenn Rivera ReStructure Mix – Queen Samantha
Queen Samantha is a disco group produced by Charles Ibgui and Harry Chalkitis – also featuring the vocals of Gloria Brooks. “Take A Chance” is the single from 1979 that is most remembered from this project - the TK Records 12” single remixed by Steve Thompson and Michael Arato made it an instant dance floor classic. The angelic and haunting vocals are the mystery behind Queen Samantha during the early projects and later a more predominant lead is brought to the forefront by Gloria Brooks. “Give Me Action” is the single from 1982 and plays out with an R&B flavor accented with horns and a funky bass line. One of the big hits of my dance floor during its release.
I have taken the 12” version of “Give Me Action” and worked a new ReStructure Mix with more of the groovy elements in place with a new arrangement and touch. It is one of the great disco conversions pieces for a disco band shifting to the 80s dance crowd and not failing to keep the original groups feel alive. This one is much more extended and gives the play a bit more space to feel the message.
Wednesday, June 22, 2016
ReStructure Mix Update (6/22/16) “I Wanna Dance” – Glenn Rivera ReStructure Mix – Marathon
ReStructure Mix Update (6/22/16) “I Wanna Dance” – Glenn Rivera ReStructure Mix – Marathon
Marathon is a disco project from producer, Pete Bellotte – who also produced Donna Summer, Joy Fleming, Trax, Roberta Kelly and Marsha Hunt. The studio project was featured in the 1978 film soundtrack, “Thank God It’s Friday” with the many Casablanca artists who made the disco scene colorful with their sounds which matured from the mid to late 70s. Marathon plays out like the disco chorus groups which were more of an ensemble used to create the sound each producer envisioned. Here with the only single from the group is “I Wanna Dance” – which you can imagine was conceived to outline the excitement of the films homage to disco and Friday nights. The emotion and energy is certainly alive here and plays out with the syncopated horns blaring out a Spanish feel with plenty of percussion leading the way.
I have taken the soundtrack version and recreated a new ReStructure Mix which plays more into the hands of a breakdown mix. Using many of the riffs to fill in a new arrangement for this new remix. The chorus and lush strings are a bit more controlled and placed in segments to bring the breaks another breath of fresh air.
Tuesday, June 21, 2016
ReStructure Mix Update (6/20/16) “Swept Away” – Glenn Rivera ReStructure Mix – Diana Ross
ReStructure Mix Update (6/20/16) “Swept Away” – Glenn Rivera ReStructure Mix – Diana Ross
Diana Ross was focused on keeping our eyes, mind and ears moving in many adventurous moves with productions and material. In 1984 the album “Swept Away” features a pop, funk, and soul offering by various producers including the late Bernard Edwards of Chic. The title track utilizes the bass and beat club sound produced by the man who brought it into the light, Mr. Arthur Baker. The track was co-written and co-produced by Daryl Hall of Hall & Oates. The song transforms Ms. Ross in a fantasy of exciting love and eventually the painful demise of it. This one was one of the top played tracks of the time for me thanks to a 12” single mixed by Arthur Baker and edited by The Latin Rascals. Diana sounds soft and subtle with her sexy delivery and eventually takes the song into the dangerous waters of this love.
I have taken the 12” long and instrumental version into the ReStructure Mix arena with a bit more use of the beats, synths and open feel of the adventurous sound. The awesome drum beats are hard to ignore here and along with Diana portraying the femme fatale in her own style. A tribute to Mr. Baker here and also a dedication for the talent and work her has given us in dance music.
Monday, June 20, 2016
“One Night Queen” Medley by Claudja Barry – Disco Video Mix by Glenn Rivera
“One Night Queen” Medley by Claudja Barry – Disco Video Mix by Glenn Rivera
Claudja Barry’s 1979 album “Feel The Fire” is one of the colorful disco productions from Jürgen S. Korduletsch and Lollipop Recordings. The full on electronic disco pulse is the aim of each dance number and Claudja’s unique vocal and style. The Medley on side one consists of three movements: “Get Your Mind Made Up”, “One Night Queen” and “It’s So Nice” – each piece exploring the love between a night out with a woman or man whose love is solely based on good times and finances. The sound of each number gives Claudja the opportunity to dig her sexy and vibrant voice deeper and deeper. It was always one of the bubbly disco medleys which bring to mind the heyday of simple and fin dance music with the appropriate disco sound.
I have taken the medley into a Disco Video Mix with the 1953 romantic comedy “How to Marry a Millionaire” starring Betty Grable, Marilyn Monroe and Lauren Bacall. The situations are similar in each of the themes and the visuals give us a chance to see the beauty of these starlets in search of love in ‘numbers’.
The film was directed by Jean Negulesco
Featuring scenes from “How To Marry A Millionaire” – RENT THE DVD!
Disco Video Mix by Glenn Rivera
Produced by Ken Emmons
Friday, June 17, 2016
ReStructure Mix Update (6/17/16) “Too Hot Ta Trot” – Glenn Rivera ReStructure Mix – Commodores
ReStructure Mix Update (6/17/16) “Too Hot Ta Trot” – Glenn Rivera ReStructure Mix – Commodores
Commodores released “Too Hot Ta Trot” in 1977 – from their “Live!” album – produced by James Anthony Carmichael and Commodores. The song was an instant hit and became one of the tracks to appear in the film, “Thank God It’s Friday” in 1978 along with their performance live from the discotheque. The Zoo. This funk masterpiece has all of the riffs that their previous hit, “Brick House” contained and more. This one set this band up for a roll in the funk, soul and disco scene and charts.
I have taken the long version of “Too Hot Ta Trot” and worked a new ReStructure Mix to give more of those groovy guitars and the funky brass. I played a great deal with the original to create a more underground and surprise experience for those used to moving their hips to this one!
Thursday, June 16, 2016
“Lost Angeles” by Giorgio – Disco Video Mix by Glenn Rivera
“Lost Angeles” by Giorgio – Disco Video Mix by Glenn Rivera
Giorgio Moroder created a new world for disco music in the mid-70s with his innovative and creative use of electronic drums, percussion and computerized pianos. “From Here To Eternity” from 1977 made a big mark on dance floors using a robotic rhythm and vocoders to supply a futuristic voice and vocal. This was one of the new sounds that disco music claimed immediately thanks to the genius of Moroder. Many of projects would use his new found space-like concerto’s including movements on Donna Summer’s 2 biggest disco successes – and the classic piece which Donna made her own also, “I Feel Love” from 1977. “Lost Angeles” is a part of Moroder’s “From Here To Eternity” masterpiece which plays out with trickles of synthetic rhythm pulsating below a female ensemble crying out for a lost soul in the city which never ceased to deliver the nightlife and forgotten dreams of those caught in it.
I have taken the piece out of the medley and used it with a new focus – this Disco Video Mix pairs it with visuals from a science fiction war played out in the City of Angels. “Battle: Los Angeles” from 2011 is military battle with a hostile extraterrestrial life form which enters our atmosphere from meteors. Segments of the fight and destruction of the big city is the pictorial for Moroder’s now, haunting electronic piece.
The film was directed by Jonathan Liebesman
Featuring scenes from “Battle: Los Angeles” – RENT THE DVD!
Disco Video Mix by Glenn Rivera
Produced by Ken Emmons
Wednesday, June 8, 2016
ReStructure Mix Update (6/8/16) “Bit By Bit” (Theme from “Fletch” ) – Glenn Rivera ReStructure Mix – Stephanie Mills
ReStructure Mix Update (6/8/16) “Bit By Bit” (Theme from “Fletch” ) – Glenn Rivera ReStructure Mix – Stephanie Mills
Stephanie Mills took dance floors immediately with her 1979 album “What Cha Gonna Do With My Lovin’”. This was a new sound for this vocalist which would present a whole stage in the disco and dance arena. Her ballads and adult contemporary singles from her projects also placed her in many classic love songs which even today are on rotation. “Bit By Bit” is a single from 1985 produced by Harold Faltermeyer and is from the soundtrack of the Chevy Chase comedy “Fletch”. This piece is one of the electronic disco pieces that we had the opportunity to hear Stephanie complement with her soulful and energetic sound. The production follows the success of Harold Faltermeyer’s former soundtrack of “Beverly Hills Cop” and his single “Axel F” – a whole new sound for the 80s pop dance scene.
I have taken the 12” vocal and instrumental to work on this ReStructure Mix which simply plays out with more of the dub sounds and reworking the simple keyboard riffs and slamming kicks. It is a lengthier piece that gives way to more of the excitement and fun of hearing Stephanie deliver a high energy number again.
Wednesday, May 25, 2016
ReStructure Mix Update (5/25/16) “Pieces Of Ice” – Glenn Rivera ReStructure Mix – Diana Ross
ReStructure Mix Update (5/25/16) “Pieces Of Ice” – Glenn Rivera ReStructure Mix – Diana Ross
Diana Ross moved into an abstract realm with her 1983 track, “Pieces Of Ice” along with producer Gary Katz. The song resembles a deep early morning number which brings a mysterious feel. It is obvious that a relationship is ending and a note is translated with an artistic mind. It was always a brave move for Ross in my ears and one of my favorite moods. From the album titled “Ross” and one of the most creative and clever video movements. The instrumental pulls out a rendering of the disco synthesizer into the 80s which is a perfect foundation for Diana’s moody and fearful vocal.
I have taken the 12” vocal and instrumental to create this ReStructure Mix which ventures off into several journeys using the synthetic ‘pieces’. I used more of the instrumental and several effects to complete Diana’s imaginative tune into a new side of the dance floor. Always a favorite and waited for the time when this remix could be taken into a reality.
Tuesday, May 24, 2016
ReStructure Mix Update (5/24/16) “Xanadu” – Glenn Rivera ReStructure Mix – Olivia Newton- John
ReStructure Mix Update (5/24/16) “Xanadu” – Glenn Rivera ReStructure Mix – Olivia Newton- John
Olivia Newton-John starred in the 1980 musical fantasy film, “Xanadu” along with Gene Kelly and music provided by Jeff Lynne and Electric Light Orchestra. The story of an Olympian muse returning to bring music and romance to an aspiring artist here on earth. The music is well remembered as we hear Olivia singing the title track and a few ballads that reached radio play charts. “Xanadu” is performed by Electric Light Orchestra along with Olivia’s sweet and promising vocal creating a lovely dance track. It is one of the classic among the stars fans and a good taste of 80s.
I have taken the soundtrack version of “Xanadu” to sprinkle a bit of ReStructure Mix feel to the production. The intro rolls in slowly with a few new elements and a new way of keeping the overture in place with some new breakdowns. More of Olivia is featured here with more of the magic which should have been displayed earlier in a remix since the song itself is a great theme for this escape.
Monday, May 23, 2016
ReStructure Mix Update (5/23/16) “Automatic Lover” – Glenn Rivera ReStructure Mix – Dee D. Jackson
ReStructure Mix Update (5/23/16) “Automatic Lover” – Glenn Rivera ReStructure Mix – Dee D. Jackson
Dee D. Jackson released her worldwide disco hit, “Automatic Lover” in 1977 – produced by Patty Unwin and Gary Unwin. The single plays out a futuristic love call in a time where robots have replaced human companionship. One of the unique songs of its kind and produced with the electronic edge of disco to frame it perfectly. Dee D. performed on stage with a 60s sci-fi robot figure moving around her adorning space princess attire which made this number quite the camp piece.
I have taken the 1988 re-release of “Automatic Lover” featuring additional production by Michael Cretu and Frank Peter. This ReStructure Mix works more a space dub approach as I pieced the keyboards and sequencers into new parts for a more extreme feel. Dee D. is given a few more spots to work her vocal riffs along with the abstract groove in this version.
ReStructure Mix Update (5/22/16) “Tic Toc” – Glenn Rivera ReStructure Mix – Carrie Lucas
ReStructure Mix Update (5/22/16) “Tic Toc” – Glenn Rivera ReStructure Mix – Carrie Lucas
Carrie Lucas released her first solo album in 1977 titled “Simply Carrie” that contained the original version of her classic “I Gotta Keep Dancin’” (remixed, re-released and titled “Keep Smilin’” in 1980. Carrie in a voice in disco music which helped to bridge the connection of soul and the new club sound. “Tic Toc” is a track from her second project, “Street Corner Symphony” produced by Dick Griffey and The Whispers. The theme on several tracks has a touch of do-wop and the street sounds of soul. The final production brought out the disco club sound. “Tic Toc” is one of the bouncy numbers which reminds me of Dr. Buzzards Original Savannah Band with Carrie on the mic.
I have taken the album version of “Tic Toc” and gave the track a touch of the ReStructure Mix edge. A bit more of the big band/jazz with drums added and more that do wop sound with The Whispers. This one was requested by Nick and Lindsay as they always find the secret gems to transform into a new listening experience.
Sunday, May 15, 2016
ReStructure Mix Update (5/15/16) “It’s Time To Party Now” – Glenn Rivera ReStructure Mix – Ray Parker Jr. and Raydio
ReStructure Mix Update (5/15/16) “It’s Time To Party Now” – Glenn Rivera ReStructure Mix – Ray Parker Jr. and Raydio
Ray Parker Jr. is a producer, musician and songwriter from Detroit, Michigan whose work in the 70s dance arena included Love Unlimited Orchestra. His blend of funk, disco and pop is the sound which helped the early 80s to appreciate a groove and slick arrangements he created. His four albums with Raydio from the late 70s are a funk venture with the groove which helped to move a new era of electronic dance music to life in the early 80s. “It’s Time To Party Now” is from the album “Two Places At The Same Time” and became one of the anthems of disco-funk.
I have taken the album version of “It’s Time To Party Now” is taken into the ReStructure Mix arena and chopped and rearranged with the elements that stood out for me. This was a great segue into a funk set and lower bpm dance tracks. A whole new reason to celebrate that 80s period of sheer purpose to hit the dance floor.
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