Thursday, December 24, 2020
REISSUE: "Come And Get Your Love" - Glenn Rivera ReStructure Mix - Lime
REISSUE: "Disco Extravaganza" - Glenn Rivera ReStructure Mix - The George Bussey Experience
REISSUE: “I’m Gonna Make You Want Me” – Glenn Rivera ReStructure Mix – Gina Lamour
REISSUE: "Chain Reaction" - Glenn Rivera ReStructure Mix - Diana Ross
REISSUE: “Human Nature” - Glenn Rivera ReStructure Mix – Gino Soccio
Monday, December 21, 2020
ReStructure Mix Update (12/21/20) “Summer Love” - Glenn Rivera ReStructure Mix – Lipstick
ReStructure Mix Update (12/21/20) “Summer Love” - Glenn Rivera ReStructure Mix – Lipstick
Lipstick is a Euro-house project from Francesco Bontempi and Roberto Arduini. This Italo-house cover of the classic disco track “Summer Love” by Musique is a sweeping and lusty number. It is presented here with less of the orchestration and more of the deep bass and beats of the house scene of the late 80’s and in this case the release in 1990. The vocals are not as charged as the original but the outline is centered more on a lyrical bass beat and the full electronic sweeping keyboards representing Patrick Adams’ classic arrangement. This cover is one of the obvious choices for an Italian production in any form and it is presented here in a beautiful and lyrical outline to pay an appropriate homage to the disco number that made be believe in the beat.
I have taken the 12” version of Lipstick’s “Summer Love” and used the vocal, club, instrumental and piano mix to recreate a new ReStructure Mix. This time around I focused on some new elements created by the existing house beats and the bass thumps
disco di*va - the definition of dance
disco di*va - the definition of dance
REISSUE: "Pull Up To The Bumper" - Glenn Rivera ReStructure Mix - Grace Jones
REISSUE: “Heaven Knows” - Glenn Rivera ReStructure Mix – Donna Summer
REISSUE: “Heaven Knows” - Glenn Rivera ReStructure Mix – Donna Summer Donna Summer marked the height of her career and also in disco history in 1978 with her double record project “Live and More”. The 3 sided concert pressing is a display of Donna Summer’s fantastic vocals in a concert environment – even in play with her early recordings where she transformed the soft sexy tracks into her now emerging vocal abilities. “Heaven Knows” is one of the new songs from the project and features Brooklyn Dreams on backing vocals. It is one of Donna’s beautiful love songs and also marks a new phase of her career as the Queen of Disco. The production is another wonderful time when disco music was perfected with orchestrations and funky elements supporting the arrangement. I have taken the 12” version of “Heaven Knows” and recreated a new outline for this ReStructure Mix. It has more of a dub feel and breaks the original into more breaks for a new edit and experience.
REISSUE: “Red Light” - Glenn Rivera ReStructure Mix - Linda Clifford
REISSUE: "Ecstasy" - Glenn Rivera ReStructure Mix - Madleen Kane
REISSUE: "Don't Leave Me This Way" - Glenn Rivera ReStructure Mix - Carol Jiani
Sunday, December 20, 2020
DISCO LADY - A VOICE THAT SAVED MY NIGHT
DISCO LADY - A VOICE THAT SAVED MY NIGHT
REISSUE: "High On Love" - Glenn Rivera ReStructure Mix - Claire
REISSUE: “Self Control" - Glenn Rivera ReStructure Mix - Laura Branigan
REISSUE: "I Just Keep Thinking About You Baby" - Glenn Rivera ReStructure Mix - Tata Vega
REISSUE: “Oo-La-La Too Soon” - Glenn Rivera ReStructure Mix – Sarah Dash
REISSUE: “Oo-La-La Too Soon” - Glenn Rivera ReStructure Mix – Sarah Dash Sarah Dash is known for her role in the trio LaBelle (previously known as Patti LaBelle and The Bluebells) – a futuristic funk ensemble along with Pattie LaBelle and Nona Hendryx. Each of these ladies proclaiming a style of soul and funk fitting for the lineup and also solo careers. Sarah is known for her soulful delivery which hits levels of Patti’s power and demand for center stage. “Sinner Man” is her big disco hit from 1978 and mixed by Mr. Tom Moulton and produced by Gary Knight, Gene Allan, Jay Siegel and Wally Gold – also featured on Don Kirshner's subsidiary label Kirshner Records of CBS. The track is a gem of a disco recording and is now a classic piece to hold onto its resonating production and Sarah’s fabulous vocal performance. “Oo-La-La Too Soon” is from Sarah’s second follow up album which unfortunately trailed behind the disco movement into 1980 – and although the title single has the flawless disco production it received less attention. It uses the tie line from a well-known Sassoon Jeans commercial with the disco flavor or the time, Sarah’s take is struggle to maintain control over a powerful urge. I have taken the short 3:07 minute album version of “Oo-La-La Too Soon” and worked an extended mix playing with segments to finish a definite and noticeable arrangement. A new riff is placed below the melody and Sarah is visited by an old flame again. It is a toy on my end where I could never get enough of Sarah’s vocal in the short 3 minute play.
REISSUE: "Dangerous" - Glenn Rivera ReStructure Mix - Natalie Cole
Saturday, December 19, 2020
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