Grace Jones is one of unique acts to have captured the stage in music history. During the formulation of disco music in the mid and late 70s her presence has always drawn curious and surprised responses. Her music during the disco years was a flavor of symphonic disco arrangements along with her daring flare and overpowering stance. “Muse” is the title of her 1979 project and was produced by Tom Moulton. This wicked disco features a medley with a tale of shifts in attitude during a dark side and eventually ending with “Saved”. This gospel fused piece is Grace’s most exuberant tracks from her disco albums giving her the freedom to relay uplifting excitement yet the somewhat reluctance of her personality. This number closes out the segued side one medley in an appropriate manner and gives us another side of Jones.
I have taken the album version of “Saved” and reworked the church organs and backing vocals from The Brotherhood into a new ReStructure Mix. The building verses are distributed in a new way and also given more space for breaks and loop-effects.
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